Contenido principal del artículo

Antonio A. Caballero-Gálvez
Universitat Rovira i Virgili
España
Anna Zaera
Universitat Rovira i Virgili
España
Iolanda Tortajada
España
Cilia Willem
Universitat Rovira i Virgili
España
Vol. 7 Núm. 1 (2022), Monográfico, Páginas 62-87
DOI: https://doi.org/10.17979/arief.2022.7.1.7049
Recibido: oct. 9, 2020 Aceptado: may. 23, 2021 Publicado: jul. 20, 2022
Cómo citar

Resumen

Las redes sociales se han convertido en un espacio imprescindible para la visibilización y defensa del feminismo. Sin embargo, en estos entornos también conviven discursos y producciones profeministas, posfeministas y antifeministas. Si bien el feminismo se ha fortalecido a través de las redes sociales, también los ataques online contra las mujeres se han intensificado. Por otra parte, los discursos posfeministas se han consolidado actuando como distribuidoras de una producción cada vez más variada de construcciones de la feminidad que exaltan el empoderamiento de las mujeres y su sexualidad (McRobbie, 2009; Lotz 2001; Gill 2007, 2011). Las autorrepresentaciones de las feminidades instrumentalizan los logros del feminismo para promover actitudes individualistas alejadas de cualquier identidad política o lucha colectiva. Este artículo se centrará en el análisis de las interacciones entre las prácticas feministas en las redes sociales, incluyendo el ciberfeminismo y la construcción de contrapúblicos, con el objetivo de captar la complejidad e implicaciones de todas ellas.

Descargas

Los datos de descargas todavía no están disponibles.

Detalles del artículo

Citas

Ahmed, S. (2010). The Promise of Happiness. Durham: Duke University Press.

Araüna, N., Tortajada I. y Willem C. (2021). Feminist YouTubers in Spain: A public space for building resistance. En C. M. Scarcelli, D. Chronaki, S.De Vuyst, S. Villanueva Baselga (Eds.), Gender and Sexuality in the EuropeanMedia. Exploring Different Contexts Through Conceptualisations of Age, Routledge Studies in European Communication Research and Education Series. Routledge.

Araüna, N., Tortajada I. y Willem C., (2019). Discursos feministes i vídeos de youtuberes: límits i horitzons de la politització jo-cèntrica, Quaderns del CAC, 23, 25-34.

Banet-Weiser, S. (2012). Authentic TM: The Politics of Ambivalence in a Brand Culture. New York University Press.

Banet-Weiser, S. y Miltner, K.M. (2016). #MasculinitySoFragile: culture, structure, and networked misogyny. Feminist Media Studies, 16, 171-174.

Banet-Weiser, S. (2018). Empowered: Popular Feminism and Popular Misogyny. Duke University Press.

Banet-Weiser, S., Gill, R. y Rottenberg, C. (2019). Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation. Feminist Theory, 21, 1, 3-24.

Barnett, J. T. (2015). Fleshy metamorphosis: temporal pedagogies of transsexual counterpublics. EN L. Spencer, Leland y J. Capuzza (ed.) Transgender Communication Studies: Histories, Trends, and Trajectories (pp. 155–172). Lexington Books.

Beck, U. (1998). La sociedad del riesgo. Hacia una nueva modernidad. Paidós.

Bourdieu, P. (1987) ‘What Makes a Social Class? On the Theoretical and Practical Existence of Groups’, Berkeley Journal of Sociology, 32, 1–17.

boyd, d. (2006). Friends, Friendsters, and MySpace Top 8: Writing Community Into Being on Social Network Sites, First Monday, 11,12.

Bruns, A.(2008). Blogs, Wikipedia, Second Life, and Beyond: From Production to Produsage. New York: Peter Lang.

Budgeon, S. (2011). The contradictions of successful femininity: Third-wave feminism, postfeminism and “new” femininities. EN R. Gill y C. Scharff (ed.), New femininities: Postfeminism, neoliberalism and subjectivity (pp. 279-292). Houndmills, UK: Palgrave MacMillan.

Butler, J.(2001). El género en disputa. El feminismo y la subversión de la identidad. Barcelona: Paidós.

Caballero-Gálvez, A. A. Tortajada, I. y Willem, C. (2017). Autenticidad, marca personal y agencia sexual: el posfeminismo lésbico en youtube. Investigaciones Feministas, 8, 2, 353-368.

Cavalcante, A. (2016). ’I Did It All Online’: transgender identity and the management of everyday life. Critical Studies in Media Communication,. 33, 1, 109–122.

Cocca, C. (2014). Negotiating the third wave of feminism in Wonder Woman. Political Science & Politics, 47, 98-103.

Cochrane, Kira (2013). All the Rebel Women: The rise of the fourth wave of feminism. The Guardian Shorts.

Cover, R. (2014). Becoming and Belonging: Performativity, Subjectivity, and the Cultural Purposes of Social Networking. EN A. Poletti, & J. Rak (Eds.), Identity Technologies; Constructing the Self Online (pp. 55-69). Wisconsin Studies in Autobiography. University of Wisconsin Press.

De Ridder, S. y Van Bauwel, S. (2013). Commenting on pictures: Teens negotiating gender and sexualities on social networking sites. Sexualities, 16, 565-586.

Dobson, A. (2011). Hetero-sexy representation by young women on MySpace: The politics of performing an ‘objectified’ self. Outskirts, 25.

Dobson, A. (2015). Postfeminist Digital Cultures: Femininity, Social Media, and Self-Representation. London: Palgrave MacMillan.

Downey, J. y Fenton, N. (2003). New media, counter publicity and the public sphere. New media & society, 5, 2, 185-202.

Farré, N. (2020). Una fàbrica de feministes. La Vanguardia. p. 38.

Fraser, N. (1990). Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy. Social Text, 25/26, 56-80.

Gámez Fuentes, M.J. (2015). Feminisms and the 15M movement in Spain. Social Movements Studies, 14, 3, 359-365.

Genz, S. y Brabon, B. (2009). Postfeminism: Cultural texts and theories. Edinburgh: Edinburgh University Press.

Genz, S. (2015). My Job is Me. Feminist Media Studies, 15, 4, 545-561.

Giddens, Anthony (1995). Modernidad e identidad del yo. El yo y la sociedad en la época contemporánea. Península.

Gill, R. (2007). Gender and the Media. Cambridge: Polity.

Gill, R. (2011). Sexism reloaded, or, it’s time to get angry again!. Feminist Media Studies. 11, 1, 61-71.

Gill, R. (2016). Postfeminism and the New Cultural Life of Feminism. Diffractions. Graduate Journal for the Study of Culture, 6, 1-8.

Gill, R. y Orgad, S. (2016). The confidence cult(ure). Australian Feminist Studies, 30, 86, 324-344.

Giraldo, I. (2020). Posfeminismo/Genealogía, geografía y contornos de un concepto. Debate feminista, 59, 1-30.

Gwynne, J. y Muller N. (2013). Postfemminism and Contemporary Hollywood Cinema. Palgrave MacMillan.

Han, B. C. (2020). La desaparición de los rituales. Barcelona: Herder.

Hansen, M. (1993). Unstable mixtures, dilated spheres: Negt and Kluge's the public sphere and experience, twenty years later. Public Culture, 5, 2, 179-212.

Harvey, D. (2005). A Brief History of Neoliberalism. Oxford University Press.

Hemmings, C. (2012). Affective solidarity: Feminist reflexivity and political transformation. Feminist Theory, 13, 2, 147-161.

Hunt, T. A. (2017). A Network of One’s Own: Young Women and the Creation of Youth-only Transnational Feminist Spaces. Young, 25, 2, 107-123.

Jenkins, H., Ito, M. y boyd, d. (2016). Participatory Culture in a Networked Era. Polity Press.

Jenzen, O. (2017). Trans youth and social media: moving between counterpublics and the wider web. Gender, Place & Culture, 24, 11, 1626-1641.

Jouët, J. (2017). Digital Feminism Questioning the Renewal of Activism. Journal of Research in Gender Studies, 1, 1, 133–157.

Keller, J. (2012). Virtual feminisms, Girls’ blogging communities, feminist activism, and participatory politics. Information, Communication & Society, 15, 3, 429‐447.

Keller, J., Mendes, K. y Ringrose, J. (2016). Speaking “unspeakable things”; documenting digital feminist responses to rape culture. Journal of Gender Studies, 27, 1, 22-36.

Lawrence, E. y Ringrose, J. (2018). @NoToFeminism, #FeministsAreUgly, and misandry memes: How social media feminist humor is calling out antifeminism. EN J. Keller y M. Ryan (ed.), Emergent feminisms: Complicating a postfeminist media culture (pp. 211-232). Routledge.

Lazar, M. M. (2009). Entitled to consume: Postfeminist femininity and a culture of post-critique. Discourse and Communication, 3, 4, 371-400.

Lotz, A. (2001). Postfeminist television criticism: Rehabilitating critical terms and identifying postfeminist attributes. Feminist Media Studies, 1, 1, 105-121.

Marwick, A. (2017). Silicon Valley and the Social Media Industry. EN J. Burgess, A. Marwick y T. Poell (ed.), The Sage Handbook of Social Media (pp. 314-329). Sage Publications.

McRobbie, A. (2009). The Aftermath of Feminism: Gender, Culture and Social Change. Sage.

McRobbie, A. (2015). Notes on the perfect: Competitive femininity in neoliberal times. Australian feminist studies, 30, 83, 3-20.

Morduchowicz, R. (2012). Los adolescentes y las redes sociales. La construcción de la identidad juvenil en Internet. Fondo de Cultura Económica.

Papacharissi, Z. (2010). A private sphere: Democracy in a digital age. Polity Press.

Prügl, E. (2015) Neoliberalising Feminism. New Political Economy, 20, 4, 614-631.

Raun, T. (2010). Screen-Births: Exploring the Transformative Potential in Trans Video Blogs on YouTube. Graduate Journal of Social Science, 7, 2, 113–30.

Risam, R. (2015). Toxic Femininity 4.0, First Monday.

Rottenberg, C. (2014). The Rise of Neoliberal Feminism. Cultural Studies, 28, 3, 418–437.

Sahuquillo, M.R. (2014). Feminismo en la red. El País.

Skeggs, B. (2005). The Making of Class and Gender through Visualizing Moral Subject Formation. Sociology, 39, 5, 965-982.

Sibilia, P. (2008). La intimidad como espectáculo. Fondo de Cultura Económica.

Sunstein, C. R. (2003). República.com. Internet, democracia y libertad. Paidós.

Szostak, N. (2013). Girls on Youtube: Gender Politics and the Potential for a Public Sphere. The McMaster Journal of Communication, 8 , 47-58.

Tortajada, I., Caballero-Gálvez, A. y Willem, C. (2019). Contrapúblicos en YouTube: el caso del colectivo trans. El profesional de la información, 28, 6, e280622.

Tortajada, I., Willem, C., Platero, R. L., & Araüna, N. (2020). Lost in transition? Digital trans activism on YouTube. Information, Communication & Society. Advance online publication.

Travers, A. (2003). Parallel Subaltern Feminist Counterpublics in Cyberspace. Sociological Perspectives, 46, 2, 223-237.

Van Bauwel, S. (2021). Invisible aged femininities in popular culture: Representational strategies deconstructed. En C. M. Scarcelli, D. Chronaki, S. De Vuyst, S. Villanueva Baselga (Eds.), Gender and Sexuality in the European Media. Exploring Different Contexts Through Conceptualisations of Age, Routledge Studies in European Communication Research and Education Series. Routledge.

Vernon, Polly. 2015. Hot Feminist: Modern Feminism with Style without Judgement. Hodder & Stoughton.

Warner, M. (2002). Publics and Counterpublics. Public Culture, 14, 1, 49-90.

Warnick, B. (1999). Masculinizing the Feminine: Inviting Women online. Critical Studies in Mass Communication, 16, 1, 1–19.

Willem, Cilia y Tortajada, Ioland (2021). Gender, Voice and Online Space: Expressions of Feminism on Social Media in Spain. Media and Communication, 9, 2,

Zafra, R. (2011). Un cuarto propio conectado. Feminismo y creación desde la esfera público-privada online. Asparkía. Investigació feminista, 22, 115-129.