Electromechanic, endless, universal. Friedrich Kiesler: scenery, architecture and design, 1923-1926
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Abstract
Within the multi-faceted work of Friedrich Kiesler, this article is focused on the activity carried out between 1923 and 1926. In this short period he was involved in the fields of scenery, architecture and design in Berlin, Vienna, Paris and New York, where he established himself definitively. The development of these projects was accompanied by an evolution in his theoretical approaches, which led to the connection of his work with the explorations of different avant-garde art movements in this period.
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