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José António Afonso
Institute of Education (IE)/Centre of investigation in Education (CIEd) - University of the Miño
Portugal
https://orcid.org/0000-0002-7061-306X
Vol. 23 (2019), Books, pages 317-321
DOI: https://doi.org/10.17979/srgphe.2019.23.0.5900
Submitted: Dec 27, 2019 Published: Dec 27, 2019
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Abstract

It is a close-up on the microcosm musical Portuguese, between 1868 and 1930, that discovers, on the one hand, an historiographic object, stranger, or sometimes ignored: the musical; and, on the other hand, it explores the  "musical unconscious", while it defines musical social practices constituted by relations of visible and invisible strengths that structure the field of the music.

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