Evaluating advertising creativity: experts vs students
Main Article Content
DOI:
https://doi.org/10.17979/redma.2026.30.1.13451Abstract
Creativity is a fundamental evaluation criterion in the advertising industry, and sector festivals set the standard. This study examines the affinity between sector and education in this regard by comparing the creative judgements of marketing and advertising students with a composite expert opinion based on the official award decision and an individual jury member assessment at the National Creativity Awards. A total of 42 students evaluated four Grand Prix-winning campaigns according to subcategories corresponding to the dimensions “Values” and “Craft”. Their responses were analysed using dichotomous (presence/absence) coding. The results show a moderate level of agreement between responses, with “Craft” subcategories scoring higher than those for “Values”. A consistent pattern of higher agreement was also observed in relation to subcategories not selected by the jury, suggesting a preference for non-central elements and confirming the interpretative nature of creative evaluation.
Keywords:
Article Details
References
Bandura, A. (1977). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84(2), 191-215. https://doi.org/10.1037/0033-295X.84.2.191
Barahona, M. (2014). ¿Alguien ve aquí un oro? El criterio creativo en El Sol, el Festival Iberoamericano de la Comunicación Publicitaria [Tesis doctoral, Universidad Complutense de Madrid].
Bassat, L. (2014). El libro rojo de la publicidad. DeBolsillo.
Biggs, J. (1996). Enhancing teaching through constructive alignment. Higher Education 32, 347-364. https://doi.org/10.1007/BF00138871
Buil, I., Martínez, E. y Chernatony, L. (2010). Medición del valor de marca desde un enfoque formativo. Cuadernos de Gestión, 10, 167-196. https://hdl.handle.net/10810/7767
Canavese, A. (2021). Marcas con valores. EME Experimental Illustration, Art & Design. 62 (9), 62-69. https://doi.org/10.4995/eme.2021.15124
Cohen, J. (1960). A coefficient of agreement for nominal scales. Educational and Psychological Measurement, 20(1), 37-46. https://doi.org/10.1177/001316446002000104
De Bono, E. (1970). Lateral thinking: Creativity step by step. Harper & Row.
Galmés, C., Martínez, R. y Victoria, J. (2016). Advertising from the perspective of festivals: The present and future of commercial communication in the categories of awards (2013–2014). Communication & Society, 29(2), 81-100. https://doi.org/10.15581/003.29.35922
Goleman, D., Kaufman, P. y Ray, M. (2000). El espíritu creativo. Ediciones B.
Grewal, D., Guha, A., Beccace Satornino, C., y Becker, M. (2025). The Future of Marketing and Marketing Education. Journal of Marketing Education, 47(1), 61-77. https://doi.org/10.1177/02734753241269838
Guilford, J. P. (1950). Creativity. American Psychologist, 5(9), 444-454. https://doi.org/10.1037/h0063487
Gutiérrez-Guerrero, M. D., Méndiz-Noguero, A. y Repiso-Caballero, R. (2018). Los valores en la publicidad impresa. Análisis de “XLSemanal”. Revista Mediterránea de Comunicación/Mediterranean Journal of Communication, 9(1), 411-422. https://www.doi.org/10.14198/MEDCOM2018.9.1.26
Hernández, R., Fernández, C., y Baptista, M. P. (2010). Metodología de la investigación. McGraw-Hill.
Huidrobo, T. (2004). Una definición de la creatividad a través del estudio de 24 autores seleccionados [Tesis doctoral, Universidad Complutense de Madrid].
Kilgour, A. M., Sasser, S., y Koslow, S. (2013). Creativity awards: Great expectations? Creativity Research Journal, 25(2), 163-171. https://hdl.handle.net/10289/7792
Kolb, D. (1984). Experiential learning: experience as the source of learning and development. Prentice Hall. https://www.researchgate.net/publication/235701029_Experiential_Learning_Experience_As_The_Source_Of_Learning_And_Development
McHugh, M. L. (2012). Interrater reliability: the kappa statistic. Biochemia medica, 22(3), 276-282. https://pubmed.ncbi.nlm.nih.gov/23092060/
Penagos, J. (2000). El proceso creativo y sus fases. Revista Latinoamericana de Psicología, 32(2), 245-260.
Rosário, A. T. y Dias, J. C. (2024). Implementing problem-based learning in marketing education: a systematic review and análisis. Ciencias de la Educación, 14(11), 1139. https://doi.org/10.3390/educsci14111139
Saeedi, K. (2025). Emotional branding: using feelings as a catalyst for brand loyalty. En 3rd International Conference on Engineering, Innovation & Technology. Brussels, Belgium 7 de abril de 2025. https://www.researchgate.net/publication/390582727_Emotional_Branding_Using_Feelings_as_a_Catalyst_for_Brand_Loyalty
Sancho, C. (2019). La utilización de los valores sociales en la comunicación de las marcas: evolución de la publicidad de Coca-Cola (1971-2015) [Tesis doctoral, Universidad Complutense de Madrid]. Docta Complutense. https://hdl.handle.net/20.500.14352/17315
Stone, G., Besser, D., y Lewis, L. (2000). Recall, Liking, and Creativity in TV Commercials: A New Approach. Journal of Advertising Research, 40(3), 29-35. https://doi.org/10.2501/jar-40-3-7-18
Strongman, K. (2010). The psychology of awards and recognition. Psychology Review, 17(4), 45-52.
Vejling, L., Tomba, C., y Mateo, A. (2017). La esencia creativa de la publicidad. Cómo medir el nivel creativo de una publicidad. UMaza. https://repositorio.umaza.edu.ar/handle/00261/740
Vigotsky, L. (2010). La imaginación y el arte en la infancia. Akal.
West, D., Caruana, A., y Leelapanyalert, K. (2008). Practitioner and customer views of advertising creativity: same concept, different meaning? Journal of Advertising, 37(4), 35-46. https://doi.org/10.2753/JOA0091-3367370403
West, D., Kover, A., y Caruana, A. (2013). What Makes Win, Place, or Show? Journal of Advertising Research, 53(3), 324-338. https://doi.org/10.2501/JAR-53-3-324-338
Zaman, S., Shakoor, A., Haq, H., Ashfaq, U. y Mushtaq, D. (2025). The power of emotion: how nostalgia and trust drive brand engagement through emotional involvement. Social Science Review Archives, 3. https://doi.org/10.70670/sra.v3i1.545

