Main Article Content

José.A Martínez
Universidad Politécnica de Cartagena
Spain
https://orcid.org/0000-0003-2131-9101
Vol. 30 No. 1 (2026), Articles (open section), pages 146-158

DOI:

https://doi.org/10.17979/redma.2026.30.1.12917
Submitted: 2025-12-16 Published: 2026-06-30
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Abstract

This article examines the role of film title length (characters/ syllables) as a systematic indicator of production scale (budget/runtime) among 3844 films from the United States (1980-2020). Drawing on signalling theory, processing fluency, and brand congruence, the study tested the following competing hypotheses: positive congruence (H1), negative compensation (H2), and independence (H3). Year-clustered OLS regressions revealed no substantive relationship (R² < 0.003), strongly supporting H3. Neither high budgets nor long runtimes were found to predict longer titles. Unexpectedly, titles were found to shorten significantly over time (-0.19% characters annually), reflecting adaptation to digital attention economies, with concise titles enhancing mobile CTR and recall. High-budget blockbusters exhibited a similar prevalence of short titles as low-budget independent films. The findings indicate a preference for semantic/emotional fit over length heuristics, releasing creative naming from scale constraints.. The implications of the study are that film marketing should focus on digital legibility over financial signalling.

Article Details

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